
Yeah, I’ll admit the title is misleading. No, I’m not done with writing in it’s entirety, but I am done with this book. After thirteen drafts, its about as polished as I can make it. And I’ve got other half-completed manuscripts that need my attention. It feels weird, after having spent so long with something to put it aside. I’ve heard that art is never really finished, just abandoned, and the older I’ve gotten, the more true that seems to be. Can my manuscript be better?
Probably. But in its current state its as good as I can make it, as the writer I am today. I’ve very proud of it, and I’m querying it around. But the revision period is over. Perhaps if I get an agent, I’ll return to it again.
On another note, while I had previously spoke of the virtues of self-publishing, I now find myself perusing the traditional route. What changed, you may ask? I find myself with more patience ever since I became a father. I have time to query, to wait. This isn’t a race. And if in a few years I find myself still without an agent and a virtual stack of completed manuscripts on my hard drive, then I’ll probably dive into the self-publishing pool. But for now, I have time. For now, I wait.





When I was seven years old, I created my own comic book character, and began writing and drawing my old comic books. Every year until I was thirteen, through one thing or another, all my comics would get destroyed or go missing. And so, I’d start it all over again every year, promising myself to outdo the years previous. Mind you, I didn’t just try comics. I wrote scripts, animated cartoons, and even programmed video games, all about Spark. By the time I was halfway through high school, I began to wonder if that one lone idea was all I had.
So I stopped. For a couple of months, I didn’t work on Spark at all. I just let my mind wander. I kept a small journal where I’d jot down whatever popped into my head. And by the end of those two months, I’d had ideas for a book, a television show, and another comic book (and not one of them involved superheroes). That’s why every year I’d allow myself a break from whatever it was I was working on, just to think. Sometimes I would revisit the journal and play with those ideas (I’ve taken the old tv series idea and used it to outline six books, which will be my next project after the third book in the Spark series), and other times I’d come up with entirely new ones, like the animated short below:
They say write what you know. Sounds simple enough. But when writing fiction, you’ll inevitably have to write about things you’ve never experienced. What do you do then?